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Over 1.6 million people live in Manhattan, and only 23,000 in its “West Village.”  A neighborhood character (I nicknamed him the Sentinel as he always seems to stand guard) told me that “West Village” is an artificial construct, and that there’s really just “Greenwich Village.”  Although he’s slept on its concrete sidewalks, fought with his bare fists whom he saw as trespassers to his Village domain (I watched once as he clocked one man in broad daylight on West Fourth Street), and has scrapped by for decades longer than I’ve been here, I still disagree.  Just take a walk the length of 10th Street from West to East or vice versa.  You can feel the change happen at the midpoint.  The above photo was taken on the corner of West 10th Street and Waverly.  The great joy of walking the West Village is the incongruity of the street layouts, the general lack of monstrously tall buildings, and the diversity of storefronts.  Don’t forget the people either.  In this case I photographed the display of the Three Lives Bookstore, across the street from Julius, the working man’s gay bar, or so it appears to me, and the tenement buildings lining the street.  Last night I was called in to work at BookBook, another bookstore which is located on Bleecker Street between 6th and 7th Avenue.  It is a small store, but don’t let its size convince you that it doesn’t contain all sorts of treasures.  I bought St. Augustine’s “Confessions” for a friend last night, and a week or so prior I purchased C.S. Lewis’ “The Four Loves,” St. Thomas More’s “Utopia,” as well as Flannery O’Connor’s “The Complete Stories.”

Here’s a passage from Flannery O’Connor’s “A Temple of the Holy Ghost:”

As they were leaving the convent door, the big nun swooped down on her mischievously and nearly smothered her in the black habit, mashing the side of her face into the crucifix hitched onto her belt and then holding her off and looking at her with little periwinkle eyes.

 

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Light, reliable, and easy to use, the Nikon FM2 is the closest thing I have to an ideal camera.  The lack of technical “bells and whistles” that turn many present-day camera models into digital quagmires is a major boost to the appeal of this classic film camera.  It makes the FM2 the AK-47 of cameras.  Yet, with the world gone digital I have relegated this film relic to use only on my own time.  I do 99% of my shooting with the much bulkier and digital, D700.  It’s been my work-horse camera since September 2010 when I entered the School of Visual Arts’ Masters in Digital Photography program.  At 12.1 megapixels per capture it is blown out of the water by current models which are in the starting range of 25 megapixels.  I still can’t see myself upgrading anytime soon.  Unless Nikon can develop a camera that delivers the same quality image with a camera body that is lighter I am going to stick with the old warhorse.  The digital camera models come and go, however, classics like the FM2 don’t ever get outdated.

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On Saturday, my Uncle Michael asked those gathered at St. John of the Cross Church in Middlebury, CT:

“When Brian, Jr. turns fifteen what is he going to need to know?”

“How will we know that we’ve done our job?”

After a pregnant pause, he added, “As long as he knows the God is head over heals in love with him, we’ll know we’ve done our part in sharing the gift of Faith.”

After becoming a deacon several years ago my uncle’s focus has shifted to the work around his home parish of St. John of the Cross, but I know he’s always been passionate about serving in the prison system throughout Connecticut.  His stories of the incarcerated, both redeemed and those yet to be, are a source of entertainment and awe.

The Catholic Church continues to receive her fair share of criticism, sometimes on target and other times baseless, but after my uncle finished baptizing his grandson, Brian Jr., he exclaimed with a big smile, “Here’s the Church’s newest member, and our Church just got better.”

 

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